Project Title– “The Cross College, Campus, Course ZINE Collab Project!”
Participating Courses & Campuses:
Professor Ryan Seslow – CUNY York College, NYC, CT101, Digital Storytelling, CUNY, BMCC, NYC, Foundations of Digital Graphic Design, Touro College, Graduate School of Technology, NYC, Foundations & History of Design
Professor Michelle McAuliffe – ART255, Digital Photography, Galluadet University, Washington, DC
Description –
Welcome! This project is a collaborative open education exploration using design, digital tools, the creative human potential and the Internet. It is our intention to generate, discuss and fuse together disciplines through visual communication.
The “The Cross College, Campus, Course ZINE Collab Project” project synthesizes the disciplines of communication technology, graphic design, and digital storytelling courses across multiple campuses. Each course is given the same information and assignment (below) to complete from the perspective of their class content and personal experiences.
As individual courses, we are interested in knowing how traditional design principles relate and contrast with the medium of visual communication and storytelling (and vice versa). We want to understand and share how the use of integrated software applications and web tools translate when applied and presented in a public space. “Public space” has an interesting context both physically and virtually. We wanted to test both.
What will the results be both digitally and non-digitally-(Analog)?
How will the immediacy of publishing to the Internet and the contrast of using public library spaces to experience the same content effect the overall generating and receiving of the works?
What kind of dialog would this create? (This is the short list of questions, we have many more!)
This project begins today 11/12/2019 by introducing the specifications of the project and publicly inviting other professors, students and courses to join in! Are you interested?
PART 1 – Design
Design Specifications – Lets simulate, You have been selected to contribute 1 page to a collaborative magaZINE that produces a rare publication in both a (DIY) Do it Yourself printed edition and an online digital version.
*Your submission to the publication will creatively communicate an illustration that displays how:
“Technology and creativity are powerful tools for fueling communication, inspiration, digital-storytelling and design.”
You have the creative freedom to produce and generate your contribution with full autonomy as to how you experience or define this statement above, however, your final submission should display an integrated composition of imagery (use of layers and opacity) along with descriptive verbiage that has been typeset creatively.
*Size Requirements – 8.5″ X 11″ inches vertical, please. (What is the potential of a rectangle?)
Usage of Imagery – Participants should NOT randomly use images that are simply just found on the Internet, especially with-out proper attribution to its creator. Please refer to this resource page and work from the numerous repositories of public domain images and creative commons sources. (Yes, you can make your own images and use your own art work!)
Software Skill Showcase – Over the past weeks we have all toggled through learning various techniques and methods working with adobe photoshop and related design tools. All image related composing and manipulations should be generated in photoshop, or another image-making application that allows for a saved out-put as a .jpg or .png file.
Completed Submissions –
1. I would like to ask all students and participants to publish their completed pages as a blog post describing the process and meaning of your completed page / contribution. You may write the post as a tutorial that maps your process from start to finish. You can then share the link to your individual post when you comment about the project below (in the comments area).
2. Students will save all of their design work and submit one file (.jpeg or .png image file) for both the digital zine publication here on the NET-ART website as well as a printed copy for the print version of the Zine.
( E-mail this file to me – rseslow@york.cuny.edu or rseslow@bmcc.cuny.edu )
Part 2 – Commenting & Dialog
In the comments section below: all students and participants will respond and react to both the project as a whole (yes, in the comments space directly below) and individually to each other’s submissions. You can click on an individual image in the gallery in this post on the piece that stands out to you and add your comments. (As submissions the come in they will appear starting the 1st week of December 2019).
The Academic Commons is a public platform and space for CUNY and beyond, the C.A.C commons community will also be invited to participate in commenting and creating dialog here. Feel free to invite others!
Please consider addressing the following questions in your comments:
*What common threads or similarities do you see between the submitted works?
*What differences do you see?
*How does seeing all of the works organized into one “space” enhance or disrupt your interpretation of the project and its outcome?
*How will apply this experience into your life? Where will this knowledge transcend for you?
*How do you think the general public will appreciate the project viewing it as a tangible object (the printed ZINES) rather than an online experience? Do you prefer one over the other? Please explain and describe your answers. The printed zine will be donated to the NYPL’s Zine collection at their 5th Avenue & 42nd Street location – DeWitt Wallace Periodical Room at the Stephen A. Schwarzman Building as well also being available at the Libraries of each participating campus as of mid-spring of 2020.
*Due dates –
All ART work Submissions must be received no later than Thursday December 5th, 2019.
All comments, reaction and discussion submissions must be completed below by Thursday December 12th, 2019.
Check out the previous examples from the last cross campus zine collab here!
The same specifications were used, lets see how things have evolved in the last 2 years!
Have Questions? Reach out!
What common threads or similarities do you see between your and your partner’s submitted works?
I saw the background of the sky painted on the wall of the pieces and different colors of the teenagers which look like Ryan Coogler (director); the moon hid in the mountain and wave of the purple ocean with upside-down of the building between me and my partner’s submitted works.
What differences do you see?
I saw a child who has an angel in the sky on the brick of the wall, each rips piece of papers like US states, US monument in the area of the Washington DC behind of the gray cloud of the sky like fog, two young people with different dress in between fancy and sport wear and boys taking selfies, form the photograph one is wearing a hood. One is of many lobsters, maybe the favorite food of most restaurants in each state, cities with the glowing light of the street’s logo, the two together maybe a couple and an album of the yearbook to give old memories.
How does seeing all of the works organized into one “space” enhance or disrupt your interpretation of the project and its outcome?
Seeing all of the works organized into one “space” enhances my interpretation of the project and its outcome by a student who learns how to use Photoshop toolbox, practicing in the art class for this semester, has a lot of experience from art skills, creating another ideas from the brainstorm of the zine example page.
How will apply this experience into your life? Where will this knowledge transcend for you?
This experience will apply into my life by relating on skills and qualifications on drawing skills, multidisciplinary team in the design, apply knowledge of graphic design, produce original photographic images, use Adobe Photoshop, InDesign, and Illustrator. This knowledge will transcend for me from the Rochester Institute of Technology (RIT) in the National Technical Institute for the Deaf (NTID) were teaching me from my teacher’s lessons and technique.
How do you think the general public will appreciate the project viewing it as a tangible object (the printed ZINES) rather than an online experience? Do you prefer one over the other? Please explain and describe your answers.
I think the general public will appreciate the project viewing it as a tangible object (the printed ZINES) rather than an online experience was good inspiration and creation of a different design. Yes, I prefer one over the other. I prefer this one because this is very clear on this creative design and my answers had characteristics feel joyous, hopeful, quiet, and kindness.